Visual Arts

Visual Arts Review: Peabody Essex Museum’s “Calder and Abstraction” – Poetic Whimsy in Elegant Form and Motion

November 25, 2014
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With grace and wit, Alexander Calder’s artwork integrated poetry and science, aesthetics and engineering.

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Visual Arts Review: Harvard Art Museums Reborn – Spectacular Art in a New Showcase

November 18, 2014
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Starchitect Renzo Piano and his team did very well given their constraints. It is damn hard to build the right frame for so much abundant beauty.

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Fuse Visual Arts Review: The Savage Cartoonistas at RISD — What A Nerve!

November 16, 2014
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What Nerve! takes an innovative and fresh take on a little-noticed but piquant tributary of American art.

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Visual Arts Feature: When a SEVEN Is More Than a Seven

November 13, 2014
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Most museums today dream of coming up with striking public images. In that sense, the Portland Museum of Art’s acquisition of SEVEN combines a significant artistic statement with a marketing coup.

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Visual Arts Review: Mark Rothko’s Harvard Murals — Splendidly Revived

November 11, 2014
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Harvard’s team of magicians have brought the Rothko murals back to life.

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Visual Arts Review: M. C. Escher — Shapeshifter Extraordinaire

November 10, 2014
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M.C. Escher’s extraordinary fantasy constructions are captivating visual environments whose frisky improbability beguile.

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Visual Arts Photo Gallery: Images From Illuminus — Boston’s first Nuit Blanche

November 4, 2014
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With the wild array of video, digital, performance, and public artists we have here, Illuminus is a natural event for Boston to host.

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Visual Arts: Simon Fujiwara at Harvard’s Carpenter Center — A Canny, Wildly Funny Lens on Modern Ideas

November 2, 2014
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Simon Fujiwara epitomizes the new model of a successful avant-garde artist in the world today.

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Visual Arts Review: “Goya: Order and Disorder” — A Mountain of Superlatives

October 13, 2014
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Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.

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Visual Arts Review: “Figures of Empire” — When Racism and Art Meet

October 9, 2014
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Some fifty-five objects trace a legacy of casual brutality and white hegemony that is at the heart of Yale University’s—and this nation’s—founding.

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