Visual Arts
More than skin deep, and not as sentimental as it might first appear, Rachel Portesi’s adoption of Victorian techniques is appropriate to the themes of loss and change she sets out to explore.
Homage to a Modernist architectural gem located in the woods of Lincoln, MA
The dignified design and subtle lighting of the Wadsworth installation manages to keep the diversity, frenetic variety, and colorist’s dream of this exhibition from being overwhelming.
Robert S. Neuman used modernism’s interest in abstraction and material accident to shape lively compositions that riffed on urbanization, biblical themes, war, the space race, indigenous rights, mental illness, and other topics.
This coffee table book scan of women’s history is visually striking and consistently informative.
A valuable reminder that the provinces have their advantages, as the Shelburne Museum devotes lavish attention to a Vermont master.
The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
Three recent documentaries explore the worlds of three masters of disparate but complementary art forms: photography and cinema, sculpture and painting, and toilets.
Visual Arts Commentary: Branded in Boston — Logos by Any Other Name
What’s up? Several public and private agencies have changed their graphic identities and even names.
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