Visual Arts

Visual Arts Review: “Fashioned by Sargent” — Round Two

December 8, 2023
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Was John Singer Sargent just a talented flatterer of his wealthy patrons or was there more to him?

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Visual Arts Commentary: “Fashioned by Sargent” — The Elephant in the Room

November 9, 2023
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The MFA’s Fashioned by Sargent alludes — only at whisper level — to the fact that many of John Singer Sargent’s clients represent questionable ideals.

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Visual Arts Review: “Fashioned by Sargent” — Round One

November 6, 2023
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Is the artist’s direction of clothing choices — and how he painted the garments — a sufficiently compelling inquiry in which to anchor an exhibit?

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Visual Arts Review: “Strong Women in Renaissance Italy” — Women’s Lives Mattered

September 27, 2023
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The show would have been stronger if more context had been provided, both about women’s lives and the artistic traditions that inspired and influenced artists of the Renaissance.

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Visual Arts Review: Photo Exhibits of Springsteen and the Stones Rock Boston

September 20, 2023
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The Folk Americana Roots Hall of Fame and the Panopticon Gallery host very different shows featuring rock icons.

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Visual Arts Review: “Edvard Munch: Trembling Earth” — Overwhelming the Clichés

September 3, 2023
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Edvard Munch was very far from a one-hit wonder. His career was a long narrative of restless creativity.

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Visual Arts Review: In Gloucester, Edward Hopper Became Hopper

August 6, 2023
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A leitmotif of this exhibition underlines Josephine Nivison Hopper’s role in her husband’s emergence as one of the most successful and beloved artists of his generation.

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Visual Arts Review: The Unbearable Lightness of Watercolor at the Harvard Art Museums

August 1, 2023
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Among the usual suspects and idiosyncratic specimens, a handful of landscape paintings, prosaic portraits, and transcendent abstract works defy watercolor’s association with lightheartedness.

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Book Review: “Heretical Aesthetics: Pasolini on Painting” — Demanding the Miraculous

July 25, 2023
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It is the volume’s autobiographical component, the accounts of Pasolini’s wide wanderings in art and aesthetic revelations, with their dramatic, cinematic flashbacks, that give this collection much of its literary value.

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Visual Arts Review: At the Met in New York — A Fashion Factory and an Enslaved Assistant to Velásquez

July 10, 2023
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Two exhibitions merit a visit to the Metropolitan Museum of Art — but soon. Each closes July 16.

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