Theater
Rarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
Read MoreWith Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.
Read MoreAn amiable musical revue about two guys who kick up their heels after global warming finally boils over.
Read MoreAt first, The Submission comes on as an agreeably edgy satire of the automatic embrace of identity politics and political correctness in the academy and popular culture.
Read MoreAlbatross is terrific — a powerful script, vital performance, and imaginative stage design.
Read MoreMothers & Sons raises important questions about struggle, acceptance, and love, dramatizing battles that are still being waged.
Read MoreRonan Noone’s allegedly frisky sex farce is bloodless.
Read MoreThe Grand Parade is a truly sumptuous feast of imagination, color, emotion and movement; a uniquely dramatic way of interpreting our history as a torrent of events presented without judgment.
Read MoreThe Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.
Read MoreHad Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
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Arts Commentary: Rich in Creativity — But Nothing Else