Theater

Theater Review: “Oh God” — An Audacious Israeli Comedy

July 17, 2016
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Anat Gov’s play about wrestling with life and God is an outrageously provocative script that showcases the best of contemporary Israeli art.

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Visual Arts Review: Leon Steinmetz — Picturing the Artful Comedy of Commedia dell’Arte

July 14, 2016
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In this splendid exhibition, Leon Steinmetz displays a deep appreciation of the complexity of commedia dell’arte.

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Theater Review: “Annapurna” — A Trip Worth Taking

July 7, 2016
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A two-person engagement like Annapurna demands that mysterious quality from actors that we call “chemistry.”

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Theater Review: “The Rose Tattoo” — A Spectacular Production from the Williamstown Theatre Festival

July 4, 2016
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This superb production offers audiences a chance to discover or rediscover an American classic.

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Theater Review: “My Jane” — Not Much New Here

July 2, 2016
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The production, like so many I’ve seen staged by the Chester Theatre Company, makes the most of limited resources.

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Stage Interview: Les 7 Doigts De La Main Serves Up “Cuisine & Confessions”

June 30, 2016
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“Circus artists aren’t the best actors,” Shana Carroll notes, “it’s not their thing.”

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Theater Review: “Driving Miss Daisy” — Bypassing the Deeper Resonance

June 24, 2016
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This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.

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Fuse Theater Review: “Blinders” — Choppy Political Satire

June 23, 2016
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Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.

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Theater Review: Bedlam’s Transfixing, Twinned Twelfth Nights

June 23, 2016
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There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.

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Theater Review: “Wild Williams” — Wildly Imaginative

June 21, 2016
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Wild Williams is a marvelous antidote for the formulaic.

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