Theater
Company One’s production treats audiences to a seamless, eight-member ensemble who perform with a complicated bevy of multimedia effects that are so smoothly integrated into the action they elicit ooohs and aahs from the crowd.
Director Jenna Ware’s adaptation (a world premiere) of Carlo Goldoni’s inspired zaniness puts a delightfully distinctive spin on a classic of clowning.
The Nora Theatre Company’s production of Her Aching Heart has enough energy, wit, challenge, and—yes—heart to delight those who approach the rousing satire with the right spirit.
Chester Theatre Company productions often remind me of concerts in a chamber music series that feature musicians who have worked together for long periods of time.
Neil Simon’s Last of the Red Hot Lovers wears surprising well after nearly half a century, with the help of minimal, subtle updating of topical references.
Playwright Amir Al-Azraki is in the camp that believes that the Iraqis themselves bear much of the responsibility for the chaos in their country.
June Moon is a piece of satirical fluff with 27 characters, lots of piano playing, and a half-dozen memorable lines.
Cassandra Speaks is yet another dazzling vehicle for actor Tod Randolph, who excels in etching brilliant stage portraits of famous, complicated women.
Beau Jest’s playful Apt 4D offers a wonderful opportunity to celebrate the creativity and imagination of the truly extraordinary theater troupe.
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