Theater
Arts Fuse critics select some of the most promising in music, theater, and film for the coming week. A new feature!
Read MoreLike the great immigrant musicals, “In the Heights” touches on the tension between old and new cultures and generations, finding home, families and their expectations.
Read MoreAnat Gov does a fine job on the meta-playwriting level. “Best Friends” is a genre piece that is also an affectionate commentary on the genre to which it belongs.
Read MoreThe Lyric Stage Company of Boston’s production can’t quite get its arms around all of the varied elements in this exhilarating musical, but some terrific performances make up for other weaknesses.
Read MoreThe ebullient entertainer Maurice Hines held court this week at a packed Cutler Majestic Theater, along with a score of other very talented musicians and tap dancers. What an evening!
Read MoreDespite its aura of “Gidget Goes Hawaiian,” and the profusion of cute props like rubber duckies and ukeleles, The Hypocrites’ production is smart enough not to mess (too much) with the original score and lyrics.
Read MoreThe Zeitgeist Stage Company provocatively lives up to its name by taking audiences into the netherworld of horrific violence via a powerful production of Simon Stephens’ drama “Punk Rock.”
Read MoreSomething emotional (perhaps even passionate) whirls underneath the well-worn modernist pieties of “Old-Fashioned Prostitutes,” though not to the point of disrupting the daffy routine.
Read MoreSimultaneously storyteller and player, ancient character and modern respondent, Denis O’Hare’s performance of “An Iliad” elicits the kind of respect automatically granted this genre of demanding monologual performance.
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