Spotlight
The question before arts organizations and companies is the same one that looms over the rest of us: will they—can they—act before it’s too late?
Abolishing cultural infrastructure and the deregulation of emerging technologies are two sides of the same anti-intellectual coin.
Back in February of 2024 I began to write a weekly column for AF newsletter on Substack. A few readers have asked that I post these opinion pieces in the magazine. Here is a selection of my favorites of 2025
Prices for Broadway tickets are out of control. But that’s not stopping people from buying them — provided they get to see the right Hollywood stars.
We desperately need plays and musicals — produced by local companies with courage and nerve — that acknowledge that the cancer of autocracy is here, today, and becoming stronger. That is the demand — will any answer the call?
“I didn’t want to write just another “orange man bad” book. I wanted to remind people that the world exists in the way that it does on purpose. We have chosen to live this way. We could choose tomorrow to NOT live this way and things would be better.”
Why did I help organize the Climate Crisis Cabaret? Because these are not normal times. And we need more theater like it.
The creative force behind jazz is so strong and so universal that the music will continue to sustain us through whatever perils and calamities the upper echelons of business and politics land us in.
A collection of quotes that have stung or sustained me over the past 12 months.
Arts Commentary: Essential Inquiries — “40 Questions About a Political Play”
“A play is political if its subject is taboo and its story mirrors, exposes, and critiques the suppression and repression that interferes with the treatment of a cultural disease. A political play is a problem that is ignored, denied, maligned. A political play is, by definition, unpopular.”
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