Review
With a good critic like Peter Rainer, the opinion itself is the least interesting part of the review. It’s the contextualizing of the opinion. And the choice of words on paper.
Read MoreChristian Gerhaher is, perhaps, the great Mahler baritone of his generation, while Bruckner is, perhaps, a surprising choice for conductor Kent Nagano, whose championship of new music is legendary.
Read MoreJessie Reijonen’s eclectic and spacious approach to jazz is a deliberate attempt to investigate, not necessarily fuse, his disparate roots.
Read MoreThe documentary was originally screened at South by Southwest in 2010 while Levon Helm was still alive, but with his death from cancer in 2012, the film now serves as a heartfelt tribute to a true American original.
Read MoreLindsay Lohan is prostituting herself to a dreary vision of a Tinseltown shorn of even flickers of glory. And I like that.
Read MoreThere is a paucity of richness in The Goddess Chronicle. The myth might have been, but wasn’t, mined for tales of compassion, or inevitability of sorrow, or the psychology of misogyny or of revenge, or the strictures of fate.
Read MoreLike Lo Fi High Fives, Personal Appeal might not be a “best of” per se, but it is certainly a good entry point for those who have been daunted by R. Stevie Moore’s massive and impressive back catalogue.
Read MoreBefore he was a broadcaster, Mary Glickman was one heck of an athlete, a youthful hero in New York known as “the Jewish Red Grange.”
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