Review
Unfortunately, there are only flickers of Kurt Vonnegut’s dark and playful genius in “Make Up Your Mind.”
Despite the band’s obvious affinity for alcohol, there’s nothing sloppy about OTP. They’re a tight unit.
A pithy critical consideration of new releases from Flaming Lips, The Frights, Mind Spiders, Radioactivity, Ólöf Arnalds, Lee Bannon, Armand Hammer, and Haunted Horses.
Charles Dutoit, one of the Boston Symphony Orchestra’s favorite guest conductors, drew playing of high energy and vivid color.
As might be expected from a choreographer who has created 140 dances, the varied program served as an annotated guide to Paul Taylor’s inquisitive and often dangerous imagination.
This remains a vision of a dystopian universe, but in the hands of these performers “Waiting for Godot”‘s angst exudes as much antic warmth as it does cold angst.
No pianist in his right mind is going to repeat this program. András Schiff had privileged us with a gift that only he could give.
Director Scott Edmiston’s carefully staged production generates sympathy chiefly because of some deft acting rather than the writing.
Nina Schuyler’s uneven novel raises some interesting questions in the course of the protagonist’s quest, and there are many fascinating details about Japan and Noh plays and the power of silence.
The moral urgency and the humane distribution of Adelle Waldman’s authorial sympathy are evident everywhere in “The Love Affair of Nathaniel P.”
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