Review

Book Review: In Pitigrilli’s Intoxicating “Cocaine,” Love is the Drug

October 10, 2013
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Cocaine’s bleak and brilliant satire, lush and intoxicating prose, and sadistic playfulness remain as fresh and caustic as they were nine decades ago.

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Theater Review: “Million Dollar Quartet” — An Infectious Evening for Aging Baby Boomers

October 10, 2013
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The audience, mostly gray-haired seniors and aging baby boomers, walked out with smiles on their faces, as did I.

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Fuse Theater Review: Two New Musicals Hit Broadway — “Big Fish” and “The Bridges of Madison County”

October 8, 2013
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Other than the teams that put together Rent and Wicked, film-makers have taken ‘creative’ control, turning Broadway into the land of retreads.

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Film Review: Artfully Defying “Gravity”

October 7, 2013
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Mexico’s Alfonso Cuarón is among the world’s finest, most versatile filmmakers, and someone who—knock on wood!– hasn’t yet directed a dud. GRAVITY is quite OK too, but in the second tier of his work.

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Film Review: “Mother of George” — Depressingly Predictable

October 7, 2013
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Mother of George has garnered a rarer-than-rare 100% Rotten Tomatoes rating from critics. Sorry to be the cynical spoiler.

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Album Review: Oneohtrix Point Never’s “R Plus Seven” — Music That Draws You In

October 6, 2013
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With this LP, Daniel Lopatin has crafted an immaculate aural landscape that one can (and will want to) lose oneself in for hours.

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Book Review: “The Stray Bullet” — William S. Burroughs Discovers His Ugly Spirit in Mexico

October 4, 2013
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Between the heroin, booze, and all else that Mexico had to offer, there was little to no time for William S. Burroughs to appreciate the culture of his adopted home.

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Film Review: “Who Takes Away the Sins: Witnesses to Clergy Abuse” — Anatomy of a Cover-Up

October 1, 2013
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It’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.

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Jazz Album Review: Fred Hersch and Julian Lage — Gloriously “Free Flying”

September 29, 2013
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One of the remarkable aspects of these duets is that almost nowhere is either player — Fred Hersch or Julian Lage — reduced to mere comping.

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Concert Review: The Boston Symphony Orchestra plays Mahler’s Symphony no. 2

September 28, 2013
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If Thursday’s performance of Mahler’s Second Symphony by the Boston Symphony Orchestra and the Tanglewood Festival Chorus was marked by some untidiness, the broad picture to emerge was one of often thrilling, Apollonian grandeur.

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