Review
Think of these novellas as variations on a common theme: a complicated world is scrutinized through the elemental viewpoint of one of the most memorable characters in American fiction over the past quarter-century.
Read MoreThe more I hear performed by the BEMF, especially their operas, the more deeply impressed – and thankful – I am.
Read More“Becky’s New Car” turns out to be a ride worth taking, especially if we suspend our disbelief long enough to embrace the notion that malice is not necessarily aforethought even though our actions might be construed to suggest otherwise.
Read More“Le Joli Mai” is serious and sober, a bit of a downer, climaxing in a lengthy interview with a dullard union official about why he supports the French Communist Party.
Read MoreThere will be readers who appreciate Daniel Menaker’s brevity and lack of emotional engagement, but for me, much of “My Mistake” reads like notes for a memoir.
Read MoreIn her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.
Read MoreBenjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.
Read MoreAs the individual who quite possibly had the best seats in the house for the monumental legal battle that unfolded over the course of a few weeks in the summer of 1971, James Goodale provers invaluable morsels of insight and information.
Read MoreJake Bugg is hardly a punk, but he’s definitely acquired a bite that he didn’t have on his debut album.
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