Review
In The Gambler, Mark Whalberg gives a performance he should be proud of.
Walter is pure evil. Margaret is pure good. And that is Big Eye‘s undoing.
Feel free to disagree, add to them, come up with your own list, etc. Above all, enjoy!
Wild is a compelling stream-of-consciousness narrative that mirrors how we actually make sense of our life experiences as we have them and then remember them.
Exodus: Gods and Kings is a tribute to those overblown biblical movies of the 1950s, albeit with all the eye-candy trappings that today’s high tech special effects can offer.
[Updated] Wondering about what to give the arts and culture lover on your gift list? No problem—the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
More than holiday knock-offs, Nick Lowe’s Christmas songs were his strongest batch of originals in awhile.
Award-winning historian Joel Williamson would seem to have the credentials to illuminate Elvis as a distinctly Southern phenomenon.
Theater Commentary: Is a Five-Year-Old Tony Kushner Play Too Challenging For Boston?
The only Boston-based companies that have the means to stage an epic on this scale will shy away from the content while those adventurous enough to handle its iconoclasm lack the means.
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