Review
The Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
“Pentalum” is an example of soft, temporal architecture: its geometric sculptural forms push against the boundaries of an interactive environmental art installation.
Here is a terrific documentary that will appeal to people who grew up in the mid-20th century and also their children and grandchildren.
The Safdie brothers are willing to look at hard truths, creating a movie that retains the immediacy and the tragedy of addiction.
It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.
Sunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
This study is an attempt to “enter” a foreign way of thought and to study the “possibilities” and, by extension, “potential mindsets” of the human mind.
Actor Russell Crowe’s directorial debut is visually gripping and very well acted — but its ending is disappointingly hokey.
Arts Commentary: The Orchestra Gap — Europe vs. the US