Review
“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.
Read MoreMy first thought: filming Donald Rumsfeld can only be rationalized if it’s a front for a citizen’s arrest.
Read MoreTheater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.
Read More“To the End of the Land” is about the devastation of war, how war erodes the human spirit, yet how that spirit is far more resilient that we may have ever suspected.
Read More“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.
Read MoreMulti-talented performer Ibrahim Miari has written an insightful and funny one-man show that draws on his own life as the son of an Israeli Jewish mother and Palestinian Moslem father born in what is now the Israeli city of Akko.
Read MoreAnita Hill’s struggle is an essential piece of modern cultural and political history that remains painfully relevant.
Read MoreA sensitive folkie may tell you to get beyond your negativity; these guys tell you to “take all that bullshit and put it in the dumpsta.”
Read MoreFort Point Theatre Channel made a call for submissions for a new play to serve as a companion piece to “Krapp’s Last Tape.” The result: a performance of Samuel Beckett’s classic with the world premiere of “The Archives” by Skylar Fox.
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