Review
Ruth Lepson’s method in these poems is to encourage us listen as carefully as she does.
The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.
There’s nothing wrong with preaching the value of empathy — but who would argue?
The play is at best a solid double off the Green Monster at Fenway, or more appropriate, a line drive into the ivy at venerable Wrigley Field.
In a period of comic book action dribble, 45 Years shows the world that films can probe reality, with enormous beauty and depth.
What’s most interesting about And Again is precisely what gets the least narrative attention.
It’s Twilight Zone eerie, as we embark on an anthology film of connected horror stories all happening on the Lost Highway.
Women still dominate the dance field as performers and choreographers.
The lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
Music Review/Commentary: David Bowie’s “Blackstar” and Norbert Stein’s “Das Karussell” — When Words Rule Music
Both David Bowie and Norbert Stein present distinctive and subtle approaches to the hybridizing of poetry and music.
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