Review
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The Lady in the Van is quite enjoyable, but has a significant flaw.
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Fighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
I look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
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