Review
Legendary actor Toshiro Mifune could be less a stoic ronin, more a silly Jerry Lewis.
Never mind my analytical observations, the Boston Ballet’s Nutcracker is still an immediate pleasure.
The stellar BEMF team whips up a holiday confection that’s worth catching year after year.
Dave Liebman’s band, like its adventurous leader, is more than willing to take a deep dive.
Collectors and serious blues fans will want to own this invaluable set.
The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
The Unknown Kerouac is good for the advancement of Kerouac scholarship, but the book hardly justifies, for the average reader, its price and size.
What the play lacks in surprise, the Wilbury treatment makes up for in excellent staging, acting, and a commitment to physical theater.
Carrie J. Preston refuses to characterize these cultural exchanges in moralistic or narrowly political terms.
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