Review
In time, Wiener-Dog may be the film that defines Todd Solondz as a filmmaker.
One of the ironies inf American Rhapsody is that most of the artists Pierpont takes up didn’t find life in America to be rhapsodic at all.
There is plenty of comedy in this horror film: think A Midsummer Night’s Dream meets I Love Lucy.
This canny writer is concerned with the kind of complicated family relationships that engaged his Jewish literary forebears.
I can’t quite believe I’m cautioning viewers about the troubling nature of a documentary about tickling.
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
Director Nicholas Winding Refn has turned the dark side of modeling into a horror film, one that will no doubt generate plenty of controversy.
Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
Former Newsweek bureau chief Joshua Hammer has documented a timely story of cultural heroism.
There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.
Fest Review: IFFBoston Shorts — Part One