Review

Classical Concert Review — A Far Cry’s “All-American” Finale

May 25, 2016
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One takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.

Classical CD Reviews: Houston Symphony Orchestra plays Dvořák and Goerne and Eschenbach perform Brahms

May 24, 2016
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An album of Brahms lieder from two musicians in their prime: Christoph Eschenbach and Matthias Goerne.

TV Review: Samantha Bee’s “Full Frontal” — Deserves All the Buzz

May 23, 2016
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It says something about where we are at as a country when the absurdist’s voice is the only one that is persuasively human.

Classical CD Review: Michael Nicolas’ “Transitions” (Sono Luminus)

May 23, 2016
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Overall, with Transitions Michael Nicolas proves himself a major cellist of his generation.

Film Review: “Sunset Song” — Misogyny in the Highlands

May 22, 2016
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I wanted to like Sunset Song, steeped as it is in Scottish history and scenery.

Fuse Film Review: “Love & Friendship” — Jane Austen, Artfully Revised

May 20, 2016
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The film and the book are all in good fun, in the spirit of “mocking affection” that is a part of Whit Stillman’s artistic vision

Classical Music CD Reviews: Paul Lewis and Trio Wanderer play Brahms, and Hans Abrahamsen’s “let me tell you”

May 19, 2016
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Three superb albums: two focusing on works by Brahms, one featuring Hans Abrahamsen’s meditation on Shakespeare’s Ophelia.

Fuse CD Review: “Day of the Dead” — Not Just for Dead Heads

May 19, 2016
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Day of the Dead upends stereotypes and expectations, providing a compelling, exploratory trip through the Grateful Dead songbook.

Classical CD Review: John Corigliano’s “The Ghosts of Versailles” (Pentatone)

May 17, 2016
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Ghosts seems to be trying to be all things to all listeners — edgy, nostalgic, farcical, adventuresome.

Book Review: “The Last Painting of Sara De Vos” — On Art and Forgery

May 17, 2016
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You may have read similar earlier works, but Dominic Smith’s novel is in a class of its own.

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