Review
Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks
The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.
Lester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.
Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.
For a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.
Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.
All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
The source material — and the skills of Tennessee Williams’ posthumous collaborators — provides an evening of compelling theater.
We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
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