Review
There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
Thomas Doherty’s fragmented, stop-and-start-again style dilutes narrative authority and further complicates an already very complicated story.
Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
Where will you find the best in new documentaries? In the brave new world of digital streaming.
Steven Pinker’s book is a welcome antidote to the Trump era, when we are inundated, daily, with an avalanche of negative and disturbing stories.
Claire’s Camera is enjoyable and charming, but it’s definitely minor Hong, made on a lark at Cannes.
What we want is for Al Pacino to convey something deeper, something illuminating about the fall of the hero from the highest reaches of the gods.
Celia Paul’s paintings are calm, reflective, and inviting.
No Way Home is a model for how to tell a weird, complicated story in a way that will make the reader hang on tight for the whole ride.
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