Review
Ronnie Cuber makes the high-speed acceleration sound lyrical as well as virtuosic; the band obliges with solos that come off as much more than your standard bop band running the changes.
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August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
Living Colour gives us fair and balanced for those who fear becoming unbalanced.
Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Miguel Zenón’s extraordinary writing for strings and saxophone makes use of ever-changing textures generated out of jazz, Puerto Rican folk, and classical music.
Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
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