Review
J. B. Priestly’s shallow characterizations keep his vision of moneyed skullduggery mundane rather than monstrous.
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In Transit, Christian Petzold explores why the ghosts of Europe’s troubled past are stirring once more.
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This is the most extensive public display of original J.R.R. Tolkien material for several generations.
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The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
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To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
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Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
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Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
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The Bird King is an utterly lovely reading experience.
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William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
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