Review
This evening is a revelatory experience on race relations, with grief, rage, and the whole business of hope and change.
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.
“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”
These exhibitions present two very different ways of engaging with gender, both raising the question of gaze.
James Graham’s new play almost evokes sympathy for the devil. Almost.
Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.
Is it all, from here on out, to be about Daenerys v. John Snow for the Iron Throne?
As Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
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