Review

Book Review: “The Stakes” — For America, Higher Than You Think

January 29, 2020
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For America to get back on track, “It will take inspired radical leadership, mass organizing, and citizen mobilization of the kind that we see only in America’s finest hours.”

Theater Review: “We All Fall Down” — Flat

January 29, 2020
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In the spirit of Passover’s four questions, I will ask: Why this play of all plays?

Book Review: “Becoming a Man” — The Roller-Coaster of Transition

January 28, 2020
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I would have preferred a more reflective, in-depth account of becoming a man in 2020, but Becoming A Man is an informative, fast, and fascinating read.

Music Review: Providence Art-Pop Trio Arc Iris stretches its wings in “iTMRW”

January 28, 2020
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So, after three original albums (plus a re-imagining of Joni Mitchell’s Blue) that fell short of wide acclaim, perhaps it was only a matter of time for them to think big.

Film Review: “Color Out of Space” — Trippy, Witchy, Uneven, Hilarious

January 27, 2020
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To move from a bucolic beginning to a surreal, chaotic climax, and then to an elegiac epilogue — that, in my book, is the sign of a well-crafted horror film.

Post-Rock CD Review: Caspian’s “On Circles” — Short Films for the Inner Eye

January 26, 2020
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With this album, post-rock sextet Caspian pulls off the tricky maneuver of infusing blood and emotions into carefully assembled and deliberately delivered songs.

Film Review: “What Did Jack Do? — David Lynch’s Amusing Monkeyshine

January 26, 2020
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After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.

Theater Review: “Maytag Virgin” — Love Blossoms, Memorably

January 25, 2020
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Maytag Virgin accomplishes what it sets out to do and then some: it is a compelling two-hander about grief and romance that explores how the two emotions can intermingle.

Classical CD Reviews: “Escales,” “Jeux de Miroirs,” and Liszt Symphonic Works

January 25, 2020
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John Wilson and the Sinfonia of London are one of the new decade’s most exciting partnerships; Javier Perianes’ album with the Orchestre de Paris is quite clever; Is Liszt’s music trash? The debate continues.

Visual Arts Review: Ledelle Moe’s “When” — Figures Worthy of Awe

January 24, 2020
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Ledelle Moe’s work is fresh, innovative, and contemporary — yet deeply rooted in a primal humanism that courses through the millennia of every continent and culture.

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