Review
Matthew Woods and his actors do not draw on a faux-naturalist performance style, which is so (unfortunately) fashionable in mainstream theater.
Read MoreThe bottom line is that we simply aren’t given a requisite sense of the play’s embrace of tragedy.
Read MoreSet in Boston’s rock scene during the ’80s, the mystery World Enough serves up plenty of compelling entertainment.
Read MoreWe are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Read MoreComing of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
Read MoreA festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Read MoreComparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.
Read MoreThe short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
Read MoreFar more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.
Read MoreThat’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.
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