Review
Ledelle Moe’s work is fresh, innovative, and contemporary — yet deeply rooted in a primal humanism that courses through the millennia of every continent and culture.
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Timon is a fascinating, if lumpy and bumpy, black comedy with a nihilistic sting, a lacerating parable about how the worship of gold warps individuals and society.
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The Shadow Whose Prey the Hunter Becomes suggests some marvelous possibilities.
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Ádám Fischer’s reading of Mahler’s Eighth Symphony is breathtakingly clean.
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Apart from Claudio Roditi’s musical skill, what stood out was his warmth.
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Unfortunately, no improvements to the staging will clarify dramatist David Greig’s muddled storyline.
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What you will be impressed by is the strength of the interior thinking, the detailing of the voices sorting out their confusion.
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L. M. Brown knows there are certain questions in life that we just never get the answers to. Or dare to ask.
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Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
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In this disc dedicated to black heroes of the Civil Rights Movement, Christian McBride insists that everyone must be free if any of us is going to be.
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Arts Feature: Best Movies (With Some Disappointments) of 2025