Review

WATCH CLOSELY: “Luna Nera” — Witch Hunt!

March 9, 2020
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Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.

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Concert Review: Christone “Kingfish” Ingram — A Rising Star, For Real

March 6, 2020
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At 21, “Kingfish” Ingram is being heralded as the blues’ brightest new star. And at his first headlining gig in Boston he earned the title.

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Books Commentary: Chronicler of Boston Crime — The Case for George V. Higgins

March 5, 2020
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George V. Higgins created a style that was at first revelatory, then degenerated into a tic at the end of his career.

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TV Review: “Gentefied” — Cultural Decimation, Courtesy of Real Estate

March 5, 2020
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Netflix’s newest comedy is a hilarious — though pointed –look at one of America’s biggest problems.

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Book Review: Robert Hass’ “Summer Snow” — Always Awake on the Coast

March 5, 2020
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Wherever Robert Hass is, the poet drinks in (and reports to us) the details of place and human activity.

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Dance Review: Boston Ballet’s “rEVOLUTION” — The Art of Evolution

March 4, 2020
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Boston Ballet’s rEVOLUTION is memorable because of its duel commitment: it is both enormously entertaining as well as edifying.

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Theater Review: “The Children” — After the Damage Has Been Done

March 3, 2020
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An apocalyptic backdrop gives the play urgency, especially given the current worldwide struggle to contain the Corvid-19 virus, which has already claimed thousands of lives.

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TV Review: “On My Block” and “Elite” — Keeping It Real

March 3, 2020
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Both shows feature characters that are forced to grow up and deal with real-world hardships (including…death) too young.

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Film Review: “Beanpole” — Hardship Rendered in Searing Color

March 1, 2020
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Beanpole is infused with a profoundly tender intimacy, interspersed with stark portrayals of pain, cruelty, and sacrifice.

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Visual Arts Review: “Landmarks” at Williams College Museum of Art — Losing Your Way

March 1, 2020
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The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.

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