Review
The Oxford band’s third album dispenses with personality in favor of bland trap pop.
This is not a music documentary, it’s a kind of jaunty-artsy immersion in and around the Newport Jazz festival, including scenes of the host city Newport, the America’s Cup race, festival goers, kids in playgrounds, etc.
This is a film for another moment in time, an imaginary if not necessarily utopian moment when being Jewish is less roiled and bedeviled from within and without.
Evaluations of a smorgasbord of Beethoven symphony recordings.
A supple, evocative novel that meditates on family and loss and art.
“I don’t like writers. . . . Writers are very despicable people. Plumbers are better. Used car salesmen. They’re all more human than writers.”
Hollywood Babylon II is almost as addictive, seductive, compulsively page-turning as its inglorious Hollywood Babylon predecessor..
La Llorona’s deepest horrors flow from real history, from the atrocities inflicted by powerful men and the institutions established to ensure they get away with it.
What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
Jazz Album Review: What “Data Lords” Says About the Remarkable Career of Maria Schneider
“The sun and everything in this world is there waiting for us—patiently and loyally. To feel its power, we just need to make the choice to get up, go out, look up and connect to its magnificence.” That is really, truly, there in the music.
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