Review
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
If you’re up for a lofty challenge, the experimental British rock outfit Black Midi is more than poised to fill the void.
There are stunning scenes full of energy and visual beauty, but Halston left me feeling somewhat cold.
Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
This fine documentary of a highly respected elder bassist presents a clear, focused picture of a man who is also a jazz musician.
The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
More homages to 1971’s magnificent bursts of cinematic iconoclasm.
Arts Reconsideration: The 1971 Project — Blue Lives Madder, “Dirty Harry” Turns 50
The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
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