Review
Leonard Cohen reinforces this dedication to lyricism with striking humility in his final book.
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Not since Michelangelo Antonioni’s Blow-Up and L’Aventura has there been such a mesmerizing tale of the more you look, the less you find out.
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This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
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This was a truly great performance, one that fully suited the BPO’s season-long, dual commemorations.
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The show tells a story of women through portraits that span a little more than two hundred years.
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These extraordinary books from world-class writers are about reviving, through words, a now-derelict town and the lives of its ten thousand murdered Jews.
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Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
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The more we hear Jane Fonda’s homilies about needing to be “whole” and “self-actualize” the more her personal journey sounds more like a succession of carefully calculated branding exercises.
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
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