Review
Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
This surprisingly seamless record belies its logistical shuffles and players’ cultural differences with a relaxed sonic identity.
A B-movie inspired horror-comedy, Psycho Goreman is a delightfully schlocky homage to entry-level, kid-centric horror films but with the sort of grotesque violence one would expect from a more adult-oriented movie.
Censor explores thought-provoking questions about the strange relationships between films, society, fantasy, and reality — and individual identity — in an increasingly mediated and violent world.
On Welfare Jazz, Viagra Boys succeed through their skillful manipulation of pure bombast, spurred on by haywire grooves as well as plenty of oversized personality.
An intriguing look at smashing the patriarchy through the art of pole dancing.
The Cameraman is the hilarious capstone to a glorious period that began for Buster Keaton in the late teens.
This splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
This joint album from the Jupiter String Quartet and Jasper String Quartet is striking for its backstory but really memorable for its smart program and fine execution.
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