Review
“The half-hearted support of jazz by American broadcast TV, be it commercial or PBS or cable, has been an insult not only to the artists, but to the public as well.”
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A bit surprising — that two megastars choose such meat and potatoes repertoire.
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In space, no one can hear you go extinct.
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The Ruins of Ani illuminates one of those rare places that leaves visitors feeling they might have to dust off the word mystical to describe the experience.
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The essays here give readers an eyewitness glimpse into mid-century queer life will intrigue (if not shock) younger LGBT+ people.
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I did want to use this CD as a springboard to engage with the question of how using material of a certain age tends to pre-select — and limit — listenership.
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The Club is an entertaining and absorbing journey to another century, when the art of communication and the spirit of thoughtful engagement attracted men and women of acute sensibilities.
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Jennifer Ratner-Rosenhagen’s The Ideas That Made America provides an exciting, if quicksilver, tour through intellectual history.
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
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Drummer Nick Mason and his four non-Floyd bandmates turned Boston’s Orpheum Theater into a psychedelic palace.
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