Review
Few writers can generate as much tension in so few pages as Pamela Painter.
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Art and Faith should be widely read — its delightful wisdom and clarity underlines our culture’s desperate need to make things new.
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There are some smartly colored and well-handled performances here, but it’s hard to get past the recording’s unsatisfactory acoustics.
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I Blame Society may put off some enlightened neoliberals, but it is a fun little B-movie with killer insight and attitude to spare.
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The excitement of these films – perhaps the word frisson would not be amiss – is that these women are envisioned as explorers in the land of Eros, map-makers of new terrain, discovering and inventing love as they go.
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What a pleasure it is to revel in this work, which expresses enduring values in such an original way.
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Full Dissidence is not just about the corruption of professional sports. It is a fierce polemic that will alter the way you look at America.
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What we need is to see the world through the eyes of Black activists, even though that might be frightening to White audiences reluctant to deal with the unmediated truth.
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Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
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Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
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