Review

Film Review: “Afterlife of the Party” — Making Amends

September 10, 2021
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Afterlife of the Party backs away from serious issues, but it’s a sweet reminder of the power of female friendship.

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Classical CD Reviews: Listening During COVID, Part 6 — Fresh Music-Making from Three Splendid Singers and One Amazing Pianist-Who-Also-Sings

September 10, 2021
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Chopin masterpieces, Rossini duets, and songs, spirituals, and arias — all performed in ways that make the music dazzle.

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Book Review: “The Communicating Vessels” — Incommunicado

September 10, 2021
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The late Friederike Mayröcker’s über-recognizable style has become a brand, logoed by certain objects: violets, lilacs, birds

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Film Review: Interrogating Guilt — Paul Schrader’s “The Card Counter”

September 9, 2021
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The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.

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Arts Reconsideration: The 1971 Project — Celebrating a Great Year in Music (September Entry)

September 9, 2021
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s list includes such big names as Bob Dylan, ZZ Top, The Who, The Beach Boys, and George Rochberg.

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Rock Album Review: The Beach Boys, “Feel Flows: The Sunflower & Surf’s Up Sessions, 1969-1971”

September 8, 2021
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It’s quite clear that the fickle record-buying public really screwed up in the early ’70s; the Beach Boys were on top of their game.

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Theater Review: “Reparations” — A Message Well Delivered

September 7, 2021
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As the play ends, all four characters have a clear understanding of their marching orders. But will they — or we — act on them?

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Classical Music Review: “Dreams of a New Day — Songs by Black Composers”

September 7, 2021
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The young baritone Will Liverman’s performances are full of spirit and a wide range of moods.

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Book Review: “Chasing Me to My Grave” — An Indispensable Black Voice

September 6, 2021
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This was an artist who approached his singular craft with equal measures of exuberance and precision.

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Film Review: “Candyman” – Stale Sweets

September 6, 2021
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Why bother giving big-budget Hollywood projects to up-and-coming Black filmmakers if they’re just going to be neutered and cut to shit before release?

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