Review
Beyond its engaging plot and the tour de force performances by Olivia Colman and Jessie Buckley, The Lost Daughter is a gorgeous and sure-handed work of cinema.
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A young ensemble, the USE is a technically accomplished one and, regardless of the interpretive strengths or weaknesses of each reading, the group’s sheer skill level is evenly impressive.
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A surprisingly moving collection, all of it mightily played and sung by musicians who clearly intuit John Harbison’s musical language.
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Flame in a Stable admits the reader into the committed life of a literate, far-reaching, colloquial, passionate, playful, and witty poetic voice,
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This is a fresh take on a teen sex comedy: someone who worships logic sets out to explore the complexity of sexuality.
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Both of these exhibits are examples of the artist as a 21st century shaman — a prophetic, as well as a creative, force.
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Soprano saxophonist Emile Parisien’s new disc is deliberately, and satisfyingly, international.
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The rewards of these and other recordings provide ample proof that, with its shape-shifting qualities, the string quartet will continue to be a powerful asset for talented jazz composers.
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Newly recorded in the original German, Anton Reicha’s Lenore offers a vivid response to Bürger’s famous “Gothic” ballad from 1774.
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Whether playing together or apart, on this 1981 recording the two saxophonists couldn’t sound more gracefully inspired or more compatible.
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