Review
“When you play with authority, then that’s what the music is about, like ooooh baby, and sing it.” — Cecil Taylor
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With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.
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Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
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Make what you will of this often page-turning confection, which if not particularly literary, may be a bunch of fun.
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The Pink Cloud is a fascinating watch by sheer virtue of its accidental prescience.
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Mel Brooks called Ronnie Scott’s Jazz Club “a little nest of happiness. All our recent wounds are healed there.”
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Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.
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In this collection, Carolynn Kingyens discloses what lies behind the veneer of our relationships.
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What is the most depressing thing about Pam & Tommy? The series provides the most sympathetic portrait of Pam Anderson that is out there.
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If this film accomplishes anything, it’s to remind us of how much we lost when Jimi Hendrix died.
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Arts Feature: Best Movies (With Some Disappointments) of 2025