Review
We’d returned to the New Orleans Jazz & Heritage Festival. We’d ridden a paddle-wheeler on the Mississippi River. It was good to be back, and why we’ll go back every chance we get: to life.
If the filmmakers are going to delve into the Jazz Fest vaults, how is it possible to show only a few seconds of Professor Longhair and nothing of James Booker, the Meters, the Neville Brothers? Not good.
This is the definitive recording of William Bolcom’s rags, complete or excerpted: a triumph for the pianist and the composer – as well as a grandly spirited, accessible, inventive journey for any who care to join them on it.
Throughout, Gen Z, Explained does its best to help readers relate to its protagonists by placing them in Gen Z’s shoes.
At his best — and there are indeed moments of that here — Keb’ Mo’ is a genre-bender who brings new listeners to blues, folk, and smooth soul music.
If you are in New York this week there is plenty of art to see. Just a short walk from the Metropolitan Museum is a show that you will probably never see again. You can visit it for free. It closes this weekend.
Two exquisite sopranos bring us refreshing songs, arias, and cantatas; and a noted Broadway composer and a remarkable Black librettist offer a searing opera about police brutality.
Dance Fever is one of the few pandemic-themed artworks that doesn’t feel contrived — it is specific about the value of music to the individual and by extension to the community.
David Lynch’s Inland Empire is a provocative challenge to filmmaking as a medium of visual storytelling that’s largely gone unmatched in the sixteen years since its initial release.
Film Commentary: Three Amazing Movies Turn 50
A terrifically significant, and eccentric, trio of films are turning 50 this year: Marjoe, Pink Flamingos, and Silent Running.
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