Review
Grids come into these woven pieces with a strange humility, disarming us with repurposed materials and precious handiwork, domestic scenes and visionary tales.
Sultan has a solid lock on my year-end best of 2022 list. Let’s make the world a little smaller and make this album a hit.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
Guitarist Eddie Condon quotes a mobster on jazz: “…it’s got guts and it don’t make you slobber.”
I was pleased to encounter all three compact operas. Lennox Berkeley seems to me more and more an admirable, indeed lovable composer, and a bit of a chameleon. I like him in all his various colors.
To some degree, everything fit under the resilient umbrella that the late George Wein raised at the edge of Newport Harbor.
Grand Horizons at the Gloucester Stage Company is a wild, funny, and sometimes wonderfully touching ride.
Nope, Jordan Peele’s highly anticipated third feature, is an awe-inspiring marvel about our own unrelenting obsession with spectacle.
The Stone Age is only about the gossip, to the point where even when something (potentially) true comes along, it still reads like trash.
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