Review
Kick the Latch (the title refers to what is done to open the starting gate in a horse race), through its plain and spare authenticity, is a powerful and impressive success.
Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
Pianist John Wilson, like his mentor Michael Tilson Thomas, is a servant of the music rather than its dictator and he knows both when and how to step back and let it speak.
I know no more thoughtful disquisition, for the opera stage, on basic questions of life, death, war, love, power, and resistance.
Love, anger, frustration, hope, sadness, lullabies — they are all here through movement that is at turns elegant and awkward, nuanced and propulsive.
English makes us consider what it looks like from the other side of our native tongue; from the outside looking in.
As the composer moves from youth to middle age, Thomas Adès is unique among his contemporaries for his singular embrace of melody, harmony, and form.
The Pixies could be anthemic, snarky, jaunty, or forlorn as they chose, which meant they were never boring.
This collection, Newvelle Records’ first series release in two years, features original compositions by Elan Mehler, Michael Blake, Dave Liebman, and Nadje Noordhuis.
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