Review
Canada is far enough from New York and Broadway to ignore their siren drum beats.
Auber’s 1831 “Le Philtre” (“The Love Potion”) is an engaging romp that helped give birth to Donizetti’s “L’elisir d’amore.” Immensely popular in his own day, why isn’t it revived more often?
By Jeremy Ray Jewell Call it lofi or chillwave. Whatever it is, it’s worth it. Daisuke Endo, a.k.a. DE DE MOUSE, has released his new EP, Rainbowtime, in collaboration with fellow Japanese artist Shin-Ski. It is, as Endo describes it, based on “the theme of a world connected to fantasy during the magic time of…
In her debut feature, music video director Jacqueline Castel supplies a moody and explicitly queer spin on the metaphor of monster as a maligned queer subject.
Four reviews of films about existence — past and present — for the marginalized in Scandinavia.
It’s good to hear the Basie band stretch. But it’s even better to hear them exult the blues with their own time-honored style leading the way.
I’m happy to add the brujas of “A Tall Dark Magic” to my own personal spell book featuring the names of the witches I love.
The Folk Americana Roots Hall of Fame and the Panopticon Gallery host very different shows featuring rock icons.
Janelle Monáe’s an impressive singer and capable rapper but she is indeed phenomenal as a performer, showing keen attention to the craft.
Refusing to bow to conventional expectations of aging is just one more outlaw accomplishment that is part of Willie Nelson’s incredible legacy.
Arts Commentary: The Orchestra Gap — Europe vs. the US