Review
The company is notable for its precision, charisma, and the calculated chaos created by sui generis Israeli choreographer Ohad Naharin.
Lost amid a flood of new music in the early ’70s, the three lps under review here never received their due.
Eventually, former Oasis leader Noel Gallagher gave everyone (including the diehards) what they really came to hear: Oasis banger after Oasis banger. B-sides, album tracks, and stripped down versions of the classics.
It’s easy to mythologize “The Days of Wine and Roses” because this album documents a band whose lineup splintered almost immediately.
First presented in 1813, “Les Abencérages” displays the mastery and inventiveness of the renowned composer of the opera “Medea.”
Stephanie Bishop does a great job withholding information and she is also good at tying together the narrative’s many loose ends.
Singing the body electric in “De Humani Corporis Fabrica.”
Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
A new CD brings us marvelous and varied works by an American master composed between the ages of 88 and 93 (and a mere child at 55).
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