Music
“Standard Stoppages” is a veritable cornucopia of sounds experienced in multifarious combinations, showcasing a diversity of fresh, inventive, and satisfyingly expressive voices operating at full tilt.
‘60s pop aficionados know there’s more to The Cyrkle than its Fab Four connections.
Baritone saxophonist Pepper Adams was clearly a generous soul, as well as a stunningly accomplished jazz musician.
An occasional feature that looks at current jazz albums of interest.
While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
If any out-there band deserves the opportunity to be in-here, Club d’Elf is it.
A new recording of Carl Nielsen’s Symphony No. 5 from the Bergen Philharmonic Orchestra and Edward Gardner captures much of what makes the composer’s writing in it sound so fresh.
At 85, Herbie Hancock can still funk it up.
Both players are long-time friends and recital partners; the pair thrive on tackling big stylistic and musical contrasts that are tied together by performances that were both interpretively thoughtful and technically accomplished.
Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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