Music
Boston Calling has evolved into a smorgasbord of everything from indie to mainstream, from pop to hip-hop to hard rock.
Read MoreFilm/Album Review: “Omar Sosa’s 88 Well-Tuned Drums” — A Superb Documentary About a Brilliant Artist
Part of what makes pianist Omar Sosa such a fascinating (and successful) musician is how his complex music constantly dances back and forth, between charming the mind and charging up the body.
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This month, the veteran guitarist, singer, and songwriter released his first solo album, 99 Shots, and found himself leaning in a direction he had spent decades avoiding.
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Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
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Part of the pleasure of reviewing Skylark’s performances is to spread the word: this vocal ensemble is nothing short of amazing.
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Over the course of Neil Young and Crazy Horse’s two-hour show the tension between magnificent creativity and near collapse were palpable.
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Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
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“Soul & Salvation” is a short album, and you’ll be sorry when it’s over. It’s hardly an essential album in Dizzy Gillespie’s long discography, but you won’t regret giving it a listen.
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The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
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Jazz Remembrance: David Sanborn, Way Beyond Smooth
He was lucky to be so well-rewarded for doing what he loved to do, and we were always lucky to hear him.
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