Music

Classical Music Sampler: November 2010

October 31, 2010
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Among the classical possibilities this month, the Discovery Ensemble tackles Stravinsky’s perky, neo-classical “Dumbarton Oaks Concerto,” The Spectrum Singers offers a rare chance to hear the Mass, Op. 130 by the Belgian composer Joseph Jongen, and Boston Musica Viva serves up two world premieres: Bernard Hoffer’s Piano Trio (“Cosmic”), and Chris Arrell’s “Convergence.” By Caldwell…

Music Review: NEC Jazz Orchestra, directed by Ken Schaphorst — Harlem Comes to Jordan

October 31, 2010
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Why should you have been in Jordan Hall on October 21? First, to hear Ken Schaphorst’s reconstruction of Duke Ellington’s “Harlem,” aka “A Tone Parallel to Harlem,” aka “The Harlem Suite,” a score on which Ken labored painstakingly and which the NEC Jazz Orchestra played thrillingly well. Music of Duke Ellington. Performed by New England…

Culture Vulture: Back at the Mall with Das Rheingold — What would Wagner think?

October 30, 2010
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The possibilities of the internet as well as the MET in HD pull Wagner’s dream of a total work of art into the context of 21st-century technology and culture, making possible new cross-cultural and cross-disciplinary references as never before. I think he would have loved it. By Helen Epstein. When I was a musicology student…

Classical Music: Organist Paul Jacobs Dazzles

October 24, 2010
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There is no doubt that Paul Jacobs, playing the whole recital from memory, is a phenomenal artist, as the advance word had indicated. By Caldwell Titcomb. For the last several years, there has been incredible buzz around the globe concerning a young organist named Paul Jacobs. As one who played a public pipe organ recital…

Classical Music Review: Stile Antico’s Pillow of Heavenly Sound

October 17, 2010
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Music making of this caliber communicates—yet transcends—the tragic tone of these dramatic, religious texts. It brings both the words and the audience who hears them to life. By Susan Miron. Stile Antico, the youthful vocal superstars of Early Music, thrilled a packed St. Paul Church in Cambridge Friday evening. Having wowed audiences at Boston’s Early…

Classical Music Feature: Listening to a Legend

October 16, 2010
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Alfred Brendel was the first pianist to record all of Beethoven’s piano music in the 1960s and made many world tours with the 32 sonatas, which seemed like old, close friends. At times he would simply play a snippet here and there to illustrate a point, yet never long enough to satisfy this listener. I…

Culture Vulture: The Met in New York or The Met in HD?

October 16, 2010
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I’ve been ruined by the Met at the Mall. Despite the worn-out, industrial carpeting and the popcorn and the lack of glamor, there are great advantages in seeing opera at the movies these days with state-of-the-art technology, especially the sound. By Helen Epstein. After spending most of the last opera season at the Burlington Mall…

Concert Review: Beethoven’s Final Piano Sonatas

October 13, 2010
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We often hear about how Brahms and Mahler lived under the shadow of Beethoven’s symphonies, but I suspect many other composers had the last three sonatas in their heads, keeping them both inspired and humble. Beethoven Opus 109. 110, 111. Performed by pianist Till Fellner. At Seully Hall, Boston Conservatory, October 12, 2010. By Susan…

Theater Review: Rock of Ages — Fans of 80s Rock Rejoice

October 9, 2010
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As a musical, Rock of Ages may not be an innovative or brilliantly written work of art, but the show’s delightfully cheesy enthusiasm, self-deprecating humor, and talented cast make it very hard to resist, especially for fans of 80s rock. Rock of Ages. Book by Chris D’Arienzo. Directed by Kristin Hanggi. Music Direction by Brandon…

Music Review: The Beguiling Vocal Music of Ralph Vaughan Williams

October 5, 2010
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The Cantata Singers, a choral group highly esteemed for their programming and superior music making, has devoted the past few years to examining the choral music of one composer per season. The three previous composers to receive this lavish attention were Kurt Weill, Benjamin Britten, and Heinrich Schütz. This is their 47th season and their…

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