Music
“Every record makes the setlist better because we get to keep the things that have really been killin’ and then do things that make you push yourself because these are songs that you haven’t played in several years.”
The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
Now, at least through mid-December, bassist Tony Levin – also a prolific photographer and blogger on tour — remains happy recasting King Crimson dreams each night with Beat
A trio of jazz albums that dazzle in surprising ways.
Among Artistic Director Holly Druckman’s goals is to turn Cappella Clausura into a “very serious player in the Boston early-music-new music scene.”
“The Old Country” is a wonderful addition to the Keith Jarrett discography. There are no stale leftovers here — this album adds a whole new course to the pianist’s extraordinary banquet.
“My goal is to play these wonderful venues and also be close to home so I can have time in the morning with my daughter. I marvel at living in New England.”
The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
Just weeks apart, two different groups have made their way to Boston on international tours – without Robert Fripp but with his blessing – their shows focusing on a specific era of King Crimson’s existence.
Saturday’s finale of a two-night Roadrunner stand, the Dresden Dolls’ first Boston shows since 2017, raged as a celebration of camaraderie and catharsis.
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