Music
Before This World is a remarkable collection of what James Taylor calls “agnostic hymns, recovery songs and love songs” that stands up to the best of his work.
Ornette Coleman’s music was avant-garde but, perhaps unconsciously, his notion of art as free lyrical adventure was deeply American.
The Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
“My idol was Pete Seeger, even before I moved to the Village. He still is.”
Sunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
To say that Odyssey Opera continues to set the bar for opera performances in Boston may be a bit superfluous, but it’s true.
The sound was often so inviting that it seemed Wire were easing comfortably into middle age.
What we know of mass-market choice suggests that the more choices a person has, the more likely it is that the person will be dissatisfied with any one choice.
Jazz Remembrance: Ornette is Gone, and Musicians Reacted
The profound impact of Ornette Coleman can be seen in the reactions of the music world to his passing.
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