Music
Concerts in the past week by the Boston Symphony Orchestra with guest artist James Carter and the Orquesta Sinfónico de Puerto Rico with guest artist Luis Sanz were a cultural festival and a musical feast.
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The album ends up paying dividends, not just for fans and students of 20th-century composition, but for anyone interested in the broader reach and global development of classical music in the last century.
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Though Sibelius’s music has come to define whatever Finnish music is supposed to sound like, he certainly wasn’t the country’s only active, turn-of-the-20th-century composer.
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Two jazz albums whose uncompromising visions succeed.
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All three records were recorded at Rudy Van Gelder’s famous studio. The sound is what one would expect from Van Gelder, clear, bright and close: these LPs were made with care at every stage. I recommend all three.
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“Standard Stoppages” is a veritable cornucopia of sounds experienced in multifarious combinations, showcasing a diversity of fresh, inventive, and satisfyingly expressive voices operating at full tilt.
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‘60s pop aficionados know there’s more to The Cyrkle than its Fab Four connections.
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Baritone saxophonist Pepper Adams was clearly a generous soul, as well as a stunningly accomplished jazz musician.
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An occasional feature that looks at current jazz albums of interest.
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Jazz Commentary: The Enduring Enigma of Chet Baker
I take a look back at the compelling documentary “Let’s Get Lost” because of the recently released “Chet Baker Performs and Sings: Swimming by Moonlight”, 15 unreleased studio recordings made by the trumpeter.
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