Music
Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
Suzanne Vega’s collection of 10 new original songs further solidifies and builds on her reputation as a unique talent among her generation of singer-songwriters.
Pianist Larry Goldings’ repertoire on this trio album is expertly chosen for its variety and melodic appeal.
The 2025 edition of Boston Calling largely appealed to a younger demographic, despite highlighting some older bearers of nostalgia.
The performance at Groton Hill Music Center will “be a journey through Brazil. They will hear some classics, some great Brazilian love songs, and hear stories about the songs. I will dedicate some of the show to the bossa nova.”
On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
The story of this album is that violinist María Dueñas enters as a star but emerges as a brilliant and preternaturally thoughtful artist.
There’s much to recommend in Behzod Abduraimov’s rendition of Prokofiev’s Piano Concerto No. 2, which is both highly characterful and a lot of fun to listen to.
Chronicling Gene Krupa’s ups and downs and registering his impact on contemporary music, Master of the Drums is a well-deserved account of one of the key musical artists of the past century.
A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
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