Music
Isabelle Faust makes Arnold Schoenberg’s thorny Violin Concerto sing; Mariss Jansons lends heft to Saint-Saëns’ Symphony no. 3, and John Wilson continues to be your go-to conductor for Erich Wolfgang Korngold.
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Akademie für Alte Musik Berlin’s pairing of Beethoven with Knecht is intelligent, programmatically and musically, but Thierry Fischer’s Symphony fantastique is a disappointing misfire.
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Last Desert proves that guitarist Liberty Ellman and his group can dance when they want
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Eschewing ostensible flash and musical sleight of hand, Without Deception is a treat for connoisseurs.
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The practice of re-using large chunks of an opera for a new plot and new words may sound implausible to us, but in Rossini’s hands the result is delightful and surprisingly coherent.
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The idea of posting this list is to remind people of what has been lost and hope that it stirs us to preserve what we have left.
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Lovers of American music, don’t miss Aspects of America: The Pulitzer Edition ; Lindberg’s recording of Leonard Bernstein’s first two symphonies lacks a compelling command of the musician’s singular voice; the ORF Vienna Radio Symphony Orchestra tackles four pieces by Morton Gould.
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Desperate times, desperate measures.
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At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
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Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
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Arts Feature: Best Movies (With Some Disappointments) of 2025