Music

Classical Album Reviews: “Ravel Fragments” & Stephen Hough plays Hough

June 23, 2025
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Pianist Bertrand Chamayou demonstrates just how mercurial and influential Ravel could be; composer-pianist Stephen Hough’s Piano Concerto casts a Ravel-like spell.

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Musician Interview: Saxophonist, Composer, and Historian of Early Jazz Allen Lowe — An Invaluable Maverick

June 22, 2025
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Allen Lowe is a saxophonist, composer, and historian of early jazz and roots music who doesn’t think he’s getting a fair shake from jazz’s gatekeepers.

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Jazz Concert Review: Tight Like That — Steven Bernstein and Sexmob

June 21, 2025
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The whole band demonstrated an expressive variety of mark-making, as visual artists like to say: lines and squiggles and blotches, graceful or rude.

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Classical Music Album Reviews: Stewart Goodyear and “Hallelujah Junction”

June 21, 2025
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Pianist Stewart Goodyear livens up a tried-and-true program with works new and unfamiliar; the husband-and-wife team of Lukas Geniušas and Anna Geniushene survey piano music written on these shores, starting in 1932.

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Opera Album Review: Finally, Verdi’s Original 1857 Version of “Simon Boccanegra” Gets the Recording It Deserves

June 21, 2025
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The skillful Mark Elder leads a fine cast, including the superb Peruvian tenor Iván Ayón-Rivas.

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Jazz Album Reviews: Thelonious Monk and Bill Evans — Two Indispensable Recordings

June 20, 2025
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Happily, these clean, bright Craft reissues make some invaluable music glisten.

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Concert Review: The Chicago Blues Festival — A Reassuring Vision of the Future

June 19, 2025
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This year’s Chicago Blues Festival provided plenty of hope for the blues.

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Classical Music Album Reviews: Ravel/Bach and Bruch & Korngold Violin Concertos

June 19, 2025
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Pianist Yeol Eum Son is more than up to the demands of J.S. Bach and Maurice Ravel; violinist Bomsori brings exquisite balances and shimmering sonority to Bruch and Korngold.

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Concert Review: Boston Camerata’s “Gallery of Kings” — Uses and Abuses of Power, ca. 1300

June 17, 2025
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Through story, song, missives, and popular gibes at authority, the Boston Camerata program looked at kings remembered for their great deeds and those commemorated for their bumbling idiocy.

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Opera Preview/Interview: White Snake Projects’ “To The People Like Us” — Understanding the Urgency of the Moment

June 16, 2025
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Our conversation touched—considerably, as it turned out—on the current political climate and the dispiriting response of the musical world to the rising tide of homegrown authoritarianism.

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