Music
The world-renowned tenor Ivo Židek leads a spirited cast, and reminds us how involving opera can be when sung by native speakers.
What business has a period orchestra got playing the music of Anton Bruckner? And why can’t conductors and orchestras just leave Gustav Holst’s “The Planets” alone?
Mother Nature provided singular and poetic assistance during Sunday’s afternoon outing at Tanglewood.
It’s difficult to say if Steve Forbert sounds youthful now or if he has long since fully grown into his always expressive and distinctive voice. Or both.
It would be hard to name another successful artist so passionately demeaned by the music press.
Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
Two very influential and brilliant Cuban musicians, Albita Rodríguez and Chucho Valdés, join together to make a fine album; Chilean guitarist/vocalist/composer Camila Meza serves up a potent mixture of jazz and lyrics concerned with social justice.
Fans who at least followed the band through its heyday in the late ’80s and early ’90s couldn’t have predicted the Mekons would wind it back in 2025 behind a new album just as galvanizing as their past catalog.
Arts Appreciation: Ozzy Osbourne — He Was One of Us
Ozzy also gave us all the inspiration to overcome whatever dipshit, fucked up, and idiotic things we did, because he did just that, and generated plenty of good in the process.
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